A note on how to browse this blog and (perhaps) avoid confusion

Welcome!
As written in the very first post, when I started this project I wasn't very familiar with the process of setting up a blog. As I built it some bits were successful and ended up looking the way I expected, others... less!
Please refer to the Blog Archive in the menu bar on the right to better explore this blog. Posts often have descriptive titles, namely: - "On the field" entries refer to my random explorations of Oxfordshire -- and beyond. - "FolkRec" posts feature my (rigorously non-professional) folk recordings. - "Flowchart" entries display attempts to use the concept of flowcharts to describe aspects of life -- decisions, indecisions and resolutions. - "ScienceCom" posts focus on the themes of science communication and education. Unclassified entries are labelled in this way for a reason: they are totally random in content.
Please do leave comments if you fancy.
Thank you!

Sunday, January 13, 2013

FolkRec - Now Is the Cool of the Day


... Yes, another recording - and another religious song, too! This one I learnt years ago - thanks to Mariano De Simone for teaching it to me. I think I memorised the lyrics gradually, and for a long time I didn't even own a printed copy of the words. The lyrics I refer to can be found here: http://www.mudcat.org/@displaysong.cfm?SongID=1331. There is a comment about another verse - true, the version I knew was indeed longer, but I personally decided to cut down one verse as I found it... less interesting (excuse my frankness). A recording of this tune that immediately comes to my mind is the one by Jean Ritchie (where she sings along with a choir whose size sounds... impressive!). I do believe that this song is religious - maybe this time it is also truly a Christian song.
On a general note, I am not a religious person - I am an agnostic, and a convinced one. Does it make sense then for me to venture into this kind of "belief-inspired repertoire", I wonder? I have asked myself this question many times, and I have never performed such songs in public (I do not perform in public very often anyway!). Now I posted two of them on this blog, so it may look like I finally found an answer to my question. Well, as much as it can sound trivial and superficial, I do believe that music is a universal language. There are songs that are deeply rooted in a specific culture or time in history, and these may therefore lose part of their potential "universality". On the other hand there are tunes, images and feelings that do cross boundaries, both cultural and temporal. And then one may end up humming a song that was originally sung by, say, workers in 19th-century North America or by English sailors at sea. Isn't this incredible?

FolkRec - Bright Morning Stars Are Rising


I only know two versions of this song - one is by Gillian Welch and David Rawlings, the other one is by Anaïs Mitchell (who sings it with two other people whose names I don't know - apologies). I initially memorised the first verse - and would sing it in a sort of loop... ! The full lyrics are the following:

Bright morning stars are rising
Bright morning stars are rising
Bright morning stars are rising
Day is a-breaking in my soul

Oh where are our dear fathers
Oh where are our dear fathers
They’re down in the valley a-praying
Day is a-breaking in my soul

Oh where are our dear mothers
Oh where are our dear mothers
They’ve gone to heaven a-shouting
Day is a-breaking in my soul

Bright morning stars are rising
Bright morning stars are rising
Bright morning stars are rising
Day is a-breaking in my soul


I remember I was struck by this one verse, where "mothers have gone to heaven" shouting... I thought it was a strong image, and wondered about the origin and true meaning of it. At some point I convinced myself that it had to refer to mothers who would die after they gave birth to their child, but I admit it - it's an adventurous explanation. Also, I knew the song was American traditional - nothing more. I recently looked for additional information and found this web page: http://www.mudcat.org/thread.cfm?threadid=89700. So, it looks like the song comes the Appalachian region in North America; there seems to be a lively debate as to how old it is, and an even more fervent discussion as to whether it is a Christian song or not (the somehow religious content is, I think, rather obvious, but I do agree with the people who claim that it doesn't really sound Christian). If you scroll down the wbe page, you'll also find alternative lyrics - I was particularly interested in one version where "mothers" are praying while "fathers" are in heaven! Oral tradition - you never know what to expect. ;)